Solmization with syllables - du da diWhat are these aspects of song structure called?Why are the natural notes on the staff special?What is the Hanson system used for?Is there a constant relation between a song notes and its chords progression?Voice-leading and CompositionHow long is Staccato?Recognizing modulation style / pattern in Steely Dan's “West of Hollywood”Help with understanding ABRSM grades?Why intervals are not named after distanceIdentifying chords with multiple extensions
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Solmization with syllables - du da di
What are these aspects of song structure called?Why are the natural notes on the staff special?What is the Hanson system used for?Is there a constant relation between a song notes and its chords progression?Voice-leading and CompositionHow long is Staccato?Recognizing modulation style / pattern in Steely Dan's “West of Hollywood”Help with understanding ABRSM grades?Why intervals are not named after distanceIdentifying chords with multiple extensions
First of all, I am an absolute noob regarding music, so please bear with me.
I am trying to understand an exercise (from my son's school lesson, where teacher seems to be reluctant to explain this in detail ...) about solmization with syllables "du da di". I am giving the solution to the exercise question as an image here:
The question reads in english like:
Write down the corresponding solmization syllables below the notes.
The question is provided just with the notes, but without the syllables, of course.
I do not understand the rules for when to put what syllable below the notes.
I already did some gooling and searching in here, but could not find a hint about this. Regarding solmization I only find explanation about "do re mi fa so", so it seems to me this "du da di" syllable are some custom stuff.
So my questions are:
What kind of rule is behind this solmization? When do I put which syllable in? Is there any general convention about what syllables will be used (du da di) or is this just a convention that each teacher can agree with their students?
theory
New contributor
add a comment |
First of all, I am an absolute noob regarding music, so please bear with me.
I am trying to understand an exercise (from my son's school lesson, where teacher seems to be reluctant to explain this in detail ...) about solmization with syllables "du da di". I am giving the solution to the exercise question as an image here:
The question reads in english like:
Write down the corresponding solmization syllables below the notes.
The question is provided just with the notes, but without the syllables, of course.
I do not understand the rules for when to put what syllable below the notes.
I already did some gooling and searching in here, but could not find a hint about this. Regarding solmization I only find explanation about "do re mi fa so", so it seems to me this "du da di" syllable are some custom stuff.
So my questions are:
What kind of rule is behind this solmization? When do I put which syllable in? Is there any general convention about what syllables will be used (du da di) or is this just a convention that each teacher can agree with their students?
theory
New contributor
1
Kodaly and later, Gordon, came up with rhythmic names for various rhythms (!). It seems very complex and really not that enlightening. Personally, I find it fairly pointless.
– Tim
11 hours ago
Interesting, I didn't know this was done in German-speaking countries. Is this common over there?
– Richard
10 hours ago
add a comment |
First of all, I am an absolute noob regarding music, so please bear with me.
I am trying to understand an exercise (from my son's school lesson, where teacher seems to be reluctant to explain this in detail ...) about solmization with syllables "du da di". I am giving the solution to the exercise question as an image here:
The question reads in english like:
Write down the corresponding solmization syllables below the notes.
The question is provided just with the notes, but without the syllables, of course.
I do not understand the rules for when to put what syllable below the notes.
I already did some gooling and searching in here, but could not find a hint about this. Regarding solmization I only find explanation about "do re mi fa so", so it seems to me this "du da di" syllable are some custom stuff.
So my questions are:
What kind of rule is behind this solmization? When do I put which syllable in? Is there any general convention about what syllables will be used (du da di) or is this just a convention that each teacher can agree with their students?
theory
New contributor
First of all, I am an absolute noob regarding music, so please bear with me.
I am trying to understand an exercise (from my son's school lesson, where teacher seems to be reluctant to explain this in detail ...) about solmization with syllables "du da di". I am giving the solution to the exercise question as an image here:
The question reads in english like:
Write down the corresponding solmization syllables below the notes.
The question is provided just with the notes, but without the syllables, of course.
I do not understand the rules for when to put what syllable below the notes.
I already did some gooling and searching in here, but could not find a hint about this. Regarding solmization I only find explanation about "do re mi fa so", so it seems to me this "du da di" syllable are some custom stuff.
So my questions are:
What kind of rule is behind this solmization? When do I put which syllable in? Is there any general convention about what syllables will be used (du da di) or is this just a convention that each teacher can agree with their students?
theory
theory
New contributor
New contributor
New contributor
asked 11 hours ago
Stefan KornStefan Korn
1234
1234
New contributor
New contributor
1
Kodaly and later, Gordon, came up with rhythmic names for various rhythms (!). It seems very complex and really not that enlightening. Personally, I find it fairly pointless.
– Tim
11 hours ago
Interesting, I didn't know this was done in German-speaking countries. Is this common over there?
– Richard
10 hours ago
add a comment |
1
Kodaly and later, Gordon, came up with rhythmic names for various rhythms (!). It seems very complex and really not that enlightening. Personally, I find it fairly pointless.
– Tim
11 hours ago
Interesting, I didn't know this was done in German-speaking countries. Is this common over there?
– Richard
10 hours ago
1
1
Kodaly and later, Gordon, came up with rhythmic names for various rhythms (!). It seems very complex and really not that enlightening. Personally, I find it fairly pointless.
– Tim
11 hours ago
Kodaly and later, Gordon, came up with rhythmic names for various rhythms (!). It seems very complex and really not that enlightening. Personally, I find it fairly pointless.
– Tim
11 hours ago
Interesting, I didn't know this was done in German-speaking countries. Is this common over there?
– Richard
10 hours ago
Interesting, I didn't know this was done in German-speaking countries. Is this common over there?
– Richard
10 hours ago
add a comment |
2 Answers
2
active
oldest
votes
The names of the notes depend not on their length, but on their position in the measure. The six eighth notes per measure are named:
du da di du da di
♪ ♪ ♪ ♪ ♪ ♪
No matter how long a note is, it gets the name of the position where it starts; e.g. a note which starts on the third eighth note would be a "di":
du da di du da di
♩
di
So the example in the question would become:
du da di du da di du da di du da di du da di du da di
♪ ♪ ♪ ♪ ♪ ♪ ♩ ♪ ♩ ♪ ♪ ♩ ♩ ♪
du da di du da di du di du di du da du di
I guess it's an exercise in keeping track of where you are in the rhythm, though it would probably be clearer if you sang "o-one three fou-our six" instead of "duuu di duuu di".
1
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
1
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
add a comment |
Maybe this helps you to understand it more clearly:
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
add a comment |
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2 Answers
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2 Answers
2
active
oldest
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oldest
votes
The names of the notes depend not on their length, but on their position in the measure. The six eighth notes per measure are named:
du da di du da di
♪ ♪ ♪ ♪ ♪ ♪
No matter how long a note is, it gets the name of the position where it starts; e.g. a note which starts on the third eighth note would be a "di":
du da di du da di
♩
di
So the example in the question would become:
du da di du da di du da di du da di du da di du da di
♪ ♪ ♪ ♪ ♪ ♪ ♩ ♪ ♩ ♪ ♪ ♩ ♩ ♪
du da di du da di du di du di du da du di
I guess it's an exercise in keeping track of where you are in the rhythm, though it would probably be clearer if you sang "o-one three fou-our six" instead of "duuu di duuu di".
1
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
1
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
add a comment |
The names of the notes depend not on their length, but on their position in the measure. The six eighth notes per measure are named:
du da di du da di
♪ ♪ ♪ ♪ ♪ ♪
No matter how long a note is, it gets the name of the position where it starts; e.g. a note which starts on the third eighth note would be a "di":
du da di du da di
♩
di
So the example in the question would become:
du da di du da di du da di du da di du da di du da di
♪ ♪ ♪ ♪ ♪ ♪ ♩ ♪ ♩ ♪ ♪ ♩ ♩ ♪
du da di du da di du di du di du da du di
I guess it's an exercise in keeping track of where you are in the rhythm, though it would probably be clearer if you sang "o-one three fou-our six" instead of "duuu di duuu di".
1
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
1
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
add a comment |
The names of the notes depend not on their length, but on their position in the measure. The six eighth notes per measure are named:
du da di du da di
♪ ♪ ♪ ♪ ♪ ♪
No matter how long a note is, it gets the name of the position where it starts; e.g. a note which starts on the third eighth note would be a "di":
du da di du da di
♩
di
So the example in the question would become:
du da di du da di du da di du da di du da di du da di
♪ ♪ ♪ ♪ ♪ ♪ ♩ ♪ ♩ ♪ ♪ ♩ ♩ ♪
du da di du da di du di du di du da du di
I guess it's an exercise in keeping track of where you are in the rhythm, though it would probably be clearer if you sang "o-one three fou-our six" instead of "duuu di duuu di".
The names of the notes depend not on their length, but on their position in the measure. The six eighth notes per measure are named:
du da di du da di
♪ ♪ ♪ ♪ ♪ ♪
No matter how long a note is, it gets the name of the position where it starts; e.g. a note which starts on the third eighth note would be a "di":
du da di du da di
♩
di
So the example in the question would become:
du da di du da di du da di du da di du da di du da di
♪ ♪ ♪ ♪ ♪ ♪ ♩ ♪ ♩ ♪ ♪ ♩ ♩ ♪
du da di du da di du di du di du da du di
I guess it's an exercise in keeping track of where you are in the rhythm, though it would probably be clearer if you sang "o-one three fou-our six" instead of "duuu di duuu di".
edited 3 hours ago
answered 10 hours ago
Your Uncle BobYour Uncle Bob
1,7491420
1,7491420
1
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
1
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
add a comment |
1
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
1
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
1
1
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
Counting numbers has worked for me for 60 yrs...
– Tim
9 hours ago
1
1
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
@Tim The problem in German is of course that "eins", "zwei" and "drei" all have the same vowel. If a whole class is singing "doo dah dee" you can easily hear (and see) when someone makes a mistake.
– Your Uncle Bob
8 hours ago
add a comment |
Maybe this helps you to understand it more clearly:
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
add a comment |
Maybe this helps you to understand it more clearly:
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
add a comment |
Maybe this helps you to understand it more clearly:
Maybe this helps you to understand it more clearly:
answered 10 hours ago
AndyAndy
943121
943121
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
add a comment |
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
Thanks, this was very helpful. Since only one answer can be marked as solution, I gave it to Uncle Bobs answer, but surely upvoted yours.
– Stefan Korn
1 hour ago
add a comment |
Stefan Korn is a new contributor. Be nice, and check out our Code of Conduct.
Stefan Korn is a new contributor. Be nice, and check out our Code of Conduct.
Stefan Korn is a new contributor. Be nice, and check out our Code of Conduct.
Stefan Korn is a new contributor. Be nice, and check out our Code of Conduct.
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1
Kodaly and later, Gordon, came up with rhythmic names for various rhythms (!). It seems very complex and really not that enlightening. Personally, I find it fairly pointless.
– Tim
11 hours ago
Interesting, I didn't know this was done in German-speaking countries. Is this common over there?
– Richard
10 hours ago