Transposing from C to Cm?Is it possible to transpose samples (in cents) from minor to major?Clarinet extension in Wagner's TannhauserHow to improve agility when Transposing?Transposing Second Waltz (Shostakovich) for Bb clarinet?Transposing the human voicePlaying on white notes onlyTransposing a song for a desired vocal range and guitaristAlgorithm for Transposing Chords Between KeysTransposing song that contains notes/chords outside the root key to a new keyTransposing a complete pieceStrategies for transposing in real time

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Transposing from C to Cm?


Is it possible to transpose samples (in cents) from minor to major?Clarinet extension in Wagner's TannhauserHow to improve agility when Transposing?Transposing Second Waltz (Shostakovich) for Bb clarinet?Transposing the human voicePlaying on white notes onlyTransposing a song for a desired vocal range and guitaristAlgorithm for Transposing Chords Between KeysTransposing song that contains notes/chords outside the root key to a new keyTransposing a complete pieceStrategies for transposing in real time






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trying to transpose a song from C to Cm, is this possible? how many semitones?etc



My software is playing up and my theory isn't that great, thanks










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    Possible duplicate of Is it possible to transpose samples (in cents) from minor to major?

    – Your Uncle Bob
    7 hours ago

















1















trying to transpose a song from C to Cm, is this possible? how many semitones?etc



My software is playing up and my theory isn't that great, thanks










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  • 2





    Possible duplicate of Is it possible to transpose samples (in cents) from minor to major?

    – Your Uncle Bob
    7 hours ago













1












1








1








trying to transpose a song from C to Cm, is this possible? how many semitones?etc



My software is playing up and my theory isn't that great, thanks










share|improve this question







New contributor



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trying to transpose a song from C to Cm, is this possible? how many semitones?etc



My software is playing up and my theory isn't that great, thanks







key transposition






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  • 2





    Possible duplicate of Is it possible to transpose samples (in cents) from minor to major?

    – Your Uncle Bob
    7 hours ago












  • 2





    Possible duplicate of Is it possible to transpose samples (in cents) from minor to major?

    – Your Uncle Bob
    7 hours ago







2




2





Possible duplicate of Is it possible to transpose samples (in cents) from minor to major?

– Your Uncle Bob
7 hours ago





Possible duplicate of Is it possible to transpose samples (in cents) from minor to major?

– Your Uncle Bob
7 hours ago










3 Answers
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oldest

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3















This isn't a transposition job. Call it a 'transformation' if you like. The music stays at the same pitch, but some notes change. Your basic scale will be C minor rather than C major. (But it won't be quite as simple as that, unless the piece is a simple folk tune sort of melody.)



Show us sheet music for the song in question, we may be able to give more specific advice.






share|improve this answer
































    0















    From major 5o minor is not a transposition - as Lawrence says.



    But you can with some software e.g. finale transpose a tune from C to a minor:



    • a minor 3rd down diatonic,


    • then adjust 6th and 7th degrees to the melodic minor scale, augmenting f to f# and g to g# in ascending movement (or to the harmonic if you want). Now you have transformed the tune into minor and we have the variation in the relative key.


    • finally you can transpose it chromatic up from Am to Cm. The dominant will be a major chord, the subdom. minor or major, depending of the augmentation of the 6th.






    share|improve this answer
































      0















      Interesting question! Not a clue with software, but it's possible - most times probable.



      No semitones to move from/to, because it's still in C - albeit C minor. Some of the notes will remain the same - those generally speaking being C F and G - which are the I IV and V of each major and its parallel minor. The note D will remain as such also.



      The problem notes will be the E A and B from C major. They could well stay as they are (except the E which would always become E♭) as C minor could use A or A♭ and B or B♭.



      This is where your ear comes in (or out to play..!), as it will decide which is more appropriate in each case.



      That leads on to harmony. Usually in C minor, the chords will be those diatonic to key E♭, although the V is likely to be G major rather than Gm. Again, ears are the best judges.



      And if the original song modulates at all, that in itself will cause problems that we can't attempt to solve without sight of it.






      share|improve this answer



























        Your Answer








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        3 Answers
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        3 Answers
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        active

        oldest

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        3















        This isn't a transposition job. Call it a 'transformation' if you like. The music stays at the same pitch, but some notes change. Your basic scale will be C minor rather than C major. (But it won't be quite as simple as that, unless the piece is a simple folk tune sort of melody.)



        Show us sheet music for the song in question, we may be able to give more specific advice.






        share|improve this answer





























          3















          This isn't a transposition job. Call it a 'transformation' if you like. The music stays at the same pitch, but some notes change. Your basic scale will be C minor rather than C major. (But it won't be quite as simple as that, unless the piece is a simple folk tune sort of melody.)



          Show us sheet music for the song in question, we may be able to give more specific advice.






          share|improve this answer



























            3














            3










            3









            This isn't a transposition job. Call it a 'transformation' if you like. The music stays at the same pitch, but some notes change. Your basic scale will be C minor rather than C major. (But it won't be quite as simple as that, unless the piece is a simple folk tune sort of melody.)



            Show us sheet music for the song in question, we may be able to give more specific advice.






            share|improve this answer













            This isn't a transposition job. Call it a 'transformation' if you like. The music stays at the same pitch, but some notes change. Your basic scale will be C minor rather than C major. (But it won't be quite as simple as that, unless the piece is a simple folk tune sort of melody.)



            Show us sheet music for the song in question, we may be able to give more specific advice.







            share|improve this answer












            share|improve this answer



            share|improve this answer










            answered 6 hours ago









            Laurence PayneLaurence Payne

            42.9k24 silver badges86 bronze badges




            42.9k24 silver badges86 bronze badges


























                0















                From major 5o minor is not a transposition - as Lawrence says.



                But you can with some software e.g. finale transpose a tune from C to a minor:



                • a minor 3rd down diatonic,


                • then adjust 6th and 7th degrees to the melodic minor scale, augmenting f to f# and g to g# in ascending movement (or to the harmonic if you want). Now you have transformed the tune into minor and we have the variation in the relative key.


                • finally you can transpose it chromatic up from Am to Cm. The dominant will be a major chord, the subdom. minor or major, depending of the augmentation of the 6th.






                share|improve this answer





























                  0















                  From major 5o minor is not a transposition - as Lawrence says.



                  But you can with some software e.g. finale transpose a tune from C to a minor:



                  • a minor 3rd down diatonic,


                  • then adjust 6th and 7th degrees to the melodic minor scale, augmenting f to f# and g to g# in ascending movement (or to the harmonic if you want). Now you have transformed the tune into minor and we have the variation in the relative key.


                  • finally you can transpose it chromatic up from Am to Cm. The dominant will be a major chord, the subdom. minor or major, depending of the augmentation of the 6th.






                  share|improve this answer



























                    0














                    0










                    0









                    From major 5o minor is not a transposition - as Lawrence says.



                    But you can with some software e.g. finale transpose a tune from C to a minor:



                    • a minor 3rd down diatonic,


                    • then adjust 6th and 7th degrees to the melodic minor scale, augmenting f to f# and g to g# in ascending movement (or to the harmonic if you want). Now you have transformed the tune into minor and we have the variation in the relative key.


                    • finally you can transpose it chromatic up from Am to Cm. The dominant will be a major chord, the subdom. minor or major, depending of the augmentation of the 6th.






                    share|improve this answer













                    From major 5o minor is not a transposition - as Lawrence says.



                    But you can with some software e.g. finale transpose a tune from C to a minor:



                    • a minor 3rd down diatonic,


                    • then adjust 6th and 7th degrees to the melodic minor scale, augmenting f to f# and g to g# in ascending movement (or to the harmonic if you want). Now you have transformed the tune into minor and we have the variation in the relative key.


                    • finally you can transpose it chromatic up from Am to Cm. The dominant will be a major chord, the subdom. minor or major, depending of the augmentation of the 6th.







                    share|improve this answer












                    share|improve this answer



                    share|improve this answer










                    answered 1 hour ago









                    Albrecht HügliAlbrecht Hügli

                    6,8971 gold badge7 silver badges26 bronze badges




                    6,8971 gold badge7 silver badges26 bronze badges
























                        0















                        Interesting question! Not a clue with software, but it's possible - most times probable.



                        No semitones to move from/to, because it's still in C - albeit C minor. Some of the notes will remain the same - those generally speaking being C F and G - which are the I IV and V of each major and its parallel minor. The note D will remain as such also.



                        The problem notes will be the E A and B from C major. They could well stay as they are (except the E which would always become E♭) as C minor could use A or A♭ and B or B♭.



                        This is where your ear comes in (or out to play..!), as it will decide which is more appropriate in each case.



                        That leads on to harmony. Usually in C minor, the chords will be those diatonic to key E♭, although the V is likely to be G major rather than Gm. Again, ears are the best judges.



                        And if the original song modulates at all, that in itself will cause problems that we can't attempt to solve without sight of it.






                        share|improve this answer





























                          0















                          Interesting question! Not a clue with software, but it's possible - most times probable.



                          No semitones to move from/to, because it's still in C - albeit C minor. Some of the notes will remain the same - those generally speaking being C F and G - which are the I IV and V of each major and its parallel minor. The note D will remain as such also.



                          The problem notes will be the E A and B from C major. They could well stay as they are (except the E which would always become E♭) as C minor could use A or A♭ and B or B♭.



                          This is where your ear comes in (or out to play..!), as it will decide which is more appropriate in each case.



                          That leads on to harmony. Usually in C minor, the chords will be those diatonic to key E♭, although the V is likely to be G major rather than Gm. Again, ears are the best judges.



                          And if the original song modulates at all, that in itself will cause problems that we can't attempt to solve without sight of it.






                          share|improve this answer



























                            0














                            0










                            0









                            Interesting question! Not a clue with software, but it's possible - most times probable.



                            No semitones to move from/to, because it's still in C - albeit C minor. Some of the notes will remain the same - those generally speaking being C F and G - which are the I IV and V of each major and its parallel minor. The note D will remain as such also.



                            The problem notes will be the E A and B from C major. They could well stay as they are (except the E which would always become E♭) as C minor could use A or A♭ and B or B♭.



                            This is where your ear comes in (or out to play..!), as it will decide which is more appropriate in each case.



                            That leads on to harmony. Usually in C minor, the chords will be those diatonic to key E♭, although the V is likely to be G major rather than Gm. Again, ears are the best judges.



                            And if the original song modulates at all, that in itself will cause problems that we can't attempt to solve without sight of it.






                            share|improve this answer













                            Interesting question! Not a clue with software, but it's possible - most times probable.



                            No semitones to move from/to, because it's still in C - albeit C minor. Some of the notes will remain the same - those generally speaking being C F and G - which are the I IV and V of each major and its parallel minor. The note D will remain as such also.



                            The problem notes will be the E A and B from C major. They could well stay as they are (except the E which would always become E♭) as C minor could use A or A♭ and B or B♭.



                            This is where your ear comes in (or out to play..!), as it will decide which is more appropriate in each case.



                            That leads on to harmony. Usually in C minor, the chords will be those diatonic to key E♭, although the V is likely to be G major rather than Gm. Again, ears are the best judges.



                            And if the original song modulates at all, that in itself will cause problems that we can't attempt to solve without sight of it.







                            share|improve this answer












                            share|improve this answer



                            share|improve this answer










                            answered 47 mins ago









                            TimTim

                            112k11 gold badges110 silver badges283 bronze badges




                            112k11 gold badges110 silver badges283 bronze badges























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